The Northwestern Edge of Harlem, by Keith Goldstein

I am always fascinated by the interplay of light, reflections and their surroundings. Having a human element is a plus. It was taken in my neighborhood of Hamilton Heights, the northwestern edge of Harlem. I had just come up out of the subway exit. There is a bus connection, kiosk right near the entrance/exit. I saw this immediately and just loved the light falling on this woman and the interplay of the reflections of the bus stop kiosk glass.

Ricoh GR | Exposure 1/2500 sec @ f/4.0 | ISO 1600 | Focal Length 18.3mm (28mm equivalent)
The Northwestern Edge of Harlem, by Keith Goldstein

Award Winner: Photo of the Day | July 27
Award Score: 66.5 (Value 12.5, Clarity 12, Composition 18, Style 11.5, Skill 12.5)
Photo of the Day Award Category: Street Photography
Photograph Location: Hamilton Heights, New York City, New York | The United States

Photographer: Keith Goldstein (Hamilton Heights, New York City, New York) Registered
Keith Goldstein was born in Brooklyn, New York, in 1957. Keith was interested in art for as long as he can remember, with his mother being his biggest influence and supporter, encouraging him in his earliest artistic endeavors. Keith’s first connection with photography came about in high school when he was given a collection of photography magazines to draw from. Instead of drawing from them, he began to read them, becoming extremely fascinated with the medium. It wasn’t until he dropped out of college after his second year, and was working in a warehouse, that he decided on photography as a means to creative expression. Keith began studies at night school with David Attie and moved into New York City, receiving his BFA with Honors in photography from the School of Visual Arts. It was there, working with Tad Yamashiro, that he began to experiment with a more emotive way of expression. Wanting to explore this further, Keith went on to continue his experimentation with Carl Toth at Cranbrook Academy of Art. After receiving his MFA in Photography, he subsequently moved back to New York City and began, through a course of personal experiences, to unravel everything that he knew and was for the next 15 years of his life. Keith has been exhibiting his work since 1980. His work has been published in many publications including – ABC News Australia, Now Public, Flak Magazine, JPEG Magazine, File Magazine, Snaps Magazine, SHOTS, Boulevard, Mercury Records, Diversion Magazine, Cadillac Motors, I Magazine, Penquin/Putnam, Simon & Shuster, St. Martin’s Press, and on many book covers. Keith’s tools to finding his place and exploring his feelings towards the world have always been simple – one camera and a couple of lenses. “Being unencumbered does allow you the most freedom”, he says. Keith has been making his living as fine art photographer, a stock shooter, a corporate event photographer, and a photo editor.

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