Tag Archive for: Chennai
A Man with Shadows of Toothbrush by Karthick Saravanan
This photograph "The Rubbing - Documenting the Family Home" was taken at the Museum of Contemporary Art in Sydney. The creator of the artwork had taken charcoal and paper and recreated a life-sized version of his childhood home.
A Shadows Through Curve Arch by Karthick SaravananA Shadows Through Curve Arch by Karthick Saravanan
In the vibrant morning atmosphere of Koyambedu, Chennai's bustling flower market, a captivating scene unfolds. Amidst the colorful chaos of blooms and bustling activity, a solitary figure stands framed within a graceful archway.
Using a skillful blur focus technique, the vibrant hues of the hanging flowers in the flower shop blend into a mesmerizing backdrop, accentuating the serene presence of the man at the center.
As the soft light of dawn filters through the arch, casting gentle shadows and highlights, the scene exudes a sense of tranquility amidst the energetic hustle and bustle of the market.
In this fleeting moment captured at Koyambedu, Chennai, the convergence of light, color, and human presence creates a timeless tableau, inviting viewers to pause and immerse themselves in the beauty of the everyday.
The Man Talking with Newspaper by Karthick SaravananThe Man Talking with Newspaper by Karthick Saravanan
Amidst the vibrant chaos of Koyambedu flower market in Chennai, a captivating tableau unfolds. Standing beneath the graceful arc of a curved arch, a man is engrossed in the unfolding events of the nation, his eyes scanning the newspaper for the latest updates amidst the bustling activity of the morning.
Around him, the symphony of the flower market comes to life. Colorful blooms cascade from stalls, their fragrant perfume mingling with the hum of conversation and the clinking of pots and pans. Above, a canopy of hanging lights casts a warm glow over the scene, illuminating the vibrant tapestry of petals and people below.
In this moment, time seems suspended as the man absorbs the news of the day, his presence a testament to the intersection of the personal and the political in the fabric of everyday life. Against the backdrop of Koyambedu's bustling energy, he stands as a silent observer, a solitary figure amidst the kaleidoscope of activity, tethered to the pulse of the nation by the pages of his newspaper.