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Women at Work by Swati IyerWomen at Work by Swati Iyer

Women at Work by Swati Iyer

This photo was taken at a workspace of a block printing fabrics company in Kutch, Gujarat, India - A group of young women hand painting indian patterns on fabrics. Block printing is a famous crafts skill of the location. The process involves intricate hand and block printing using in house dye on fabrics which are then sold as dresses, bags, shawls.
Stronger Short with Texture by Karthick SaravananStronger Short with Texture by Karthick Saravanan

Stronger Short with Texture by Karthick Saravanan

Captured in the serene light of dawn at Kanyakumari, this monochrome photograph presents a timeless tableau of fishermen along the sea shore, engaged in the age-old dance of casting nets into the embracing sea. The early morning light plays with shadows and silhouettes, sketching a scene of simple elegance and enduring human endeavor. Each figure is poised in a moment of hopeful anticipation, their actions a testament to the symbiotic relationship with the sea. The monochrome tones strip the moment down to its essence, highlighting the contrast between the fishermen's silhouettes and the shimmering expanse of water, creating a visual poetry that transcends the ordinary. This image, with its interplay of light, shadow, and human resilience, offers a glimpse into the daily rhythms of life at the edge of the water—a silent homage to the quiet beauty and enduring spirit of the fishermen of Kanyakumari.
A Life Is Not Balanced by Karthick SaravananA Life Is Not Balanced by Karthick Saravanan

A Life Is Not Balanced by Karthick Saravanan

In the heart of Kanyakumari, amidst the bustle of life, a poignant scene unfolds. A young boy, his face etched with determination, sifts through the discarded remnants of society in search of something of value. With him, a loyal companion—a dog, watches over him with a mixture of curiosity and concern. The backdrop of the waste ward, with its piles of refuse and discarded treasures, serves as a stark reminder of life's inequalities. While some may bask in luxury and abundance, others are left to scavenge for the bare necessities among the detritus of society. Yet, amid the chaos and disparity, there is a quiet resilience in the boy's gaze—a refusal to be defined by his circumstances. His companion, a silent witness to his struggle, embodies the unwavering loyalty and companionship that transcends material wealth. In this snapshot of life in Kanyakumari, India, the juxtaposition of innocence and adversity speaks volumes. It is a reminder that, despite the imbalances that exist, the human spirit endures, seeking hope and possibility even in the most unlikely of places.
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