The Jalebi Makers

This monochrome photograph captures a quiet moment of labor and connection. Two men, likely father and son, are engrossed in the delicate process of making jalebi, a traditional South Asian sweet. The image’s focus is on their hands, the younger man carefully tending to the sizzling spirals in the shallow pan, while the elder prepares another batch, his weathered hands squeezing batter from a cloth bag. The composition is intimate, drawing the viewer into the scene and highlighting the shared focus and unspoken understanding between the two figures.
The play of light and shadow emphasizes the textures – the roughness of the men’s hands, the smooth curve of the frying pan, the crisp edges of the jalebi. The background, slightly out of focus, hints at a bustling marketplace, providing context without distracting from the central narrative. The monochrome palette enhances the timeless quality of the scene, stripping away distractions and focusing on the essential elements of the craft.
Captured by Nasrul Eam on July 8, 2024, this image showcases the photographer’s ability to find profound moments within everyday life. The photograph belongs to a body of work that explores the human condition, particularly in developing nations. The image resonates with a quiet dignity, revealing the beauty and dedication inherent in simple acts of labor.
This photograph reflects Nasrul Eam’s commitment to capturing the essence of human emotion and visual storytelling. His work often focuses on the intricacies of daily life, particularly in cultures often overlooked by the mainstream. Like his acclaimed project, “The Happy Children of the Third World,” this image transcends mere documentation, offering a glimpse into the heart of a community and the quiet beauty of shared labor.
About the Photographer
Nasrul Eam is a visionary art and documentary photographer whose work has deeply influenced the photography world since 2008. With over 60 publications to his name, including notable works like “The Quintessence of Photography: Understanding Composition” and “Masterclass in Portrait Photography: Echoes of Emotion”, he explores the intricacies of human emotion and visual storytelling. As the chief judge for Light & Composition University’s prestigious photography award for the past 14 years, Nasrul’s discerning eye and expertise have shaped the future of countless photographers. His role as Dean of the Department of Art and Photography further reflects his dedication to nurturing new talent. Nasrul’s photography, particularly through projects like “The Happy Children of the Third World,” captures the essence of his subjects with profound depth, inspiring collectors and photographers alike. His evocative images transcend time, culture, and genre, and have become highly sought after in the art world for their emotional depth and unique storytelling, making them a valuable addition to any high-end collection. His work continues to inspire and elevate the art of photography globally, solidifying his reputation as one of the foremost photographers of his generation.